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The Chimney Sweeper's Boy Page 3
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“They’ve been getting stronger through the years, haven’t they? You know that.” Daphne looked over her shoulder, checking that she wasn’t about to be overheard. “That Fabian only came because he’d never been to a funeral before,” she said. “He told me. He wanted to see what it was like.”
“I hope it came up to expectations,” said Ursula, thinking of Hope’s display when the coffin was lowered into the AstroTurf-lined pit. For a moment, she had thought her daughter was going to throw herself in on top of it like Laertes in Ophelia’s grave.
Gerald’s publisher had thought so, too. He took a step forward and she heard him mutter, “Oh no, no.”
But Hope had only crouched down on the glittering green plastic stuff and wailed while she watched the last of her father disappear into the earth. Wailed, and when Pauline—Why her? Who asked her to do it?—threw a handful of gravel in on top of the coffin, she sobbed and flung herself backward and forward, clutching handfuls of hair from under her black velvet pancake hat.
Sarah said, “She’s taken it very hard. We all have. It’s just as real for us, but we don’t show our emotions the way she does.”
Ursula didn’t say anything.
“He was the most wonderful father anyone could have had. When I think of the fathers of other people my age … When we were little—but I can’t talk about it. I can’t yet. I just start crying. I’m as bad as Hope, really.”
“You’re not as ostentatious,” said Ursula.
Sarah looked closely at her mother, who was sitting at the kitchen table with a mug of coffee in front of her. Ursula was a sturdy, straight-backed woman with rather pretty but not memorable features, a still-unlined, smooth face, calm blue-gray eyes, and untidy fairish gray-streaked hair that was always coming loose from its knot. Long hair done up in a bun from which strands constantly escape looks charming on a young girl, thought Sarah, but on an older woman, it’s just a mess. But there were few people to see her mother, no one really now that Gerald was gone, except Daphne Batty.
That put her in mind of what she wanted to say. Not exactly what she wanted to say, but what she thought she should say. “You know I can’t stay on here. And Hope can’t. Not after tomorrow. So would you like to come back with me?” It didn’t sound very gracious. She tried again. “I’ll be happy to have you. You can stay as long as you like. You could stay in and have a quiet time while I’m at work, or you could go shopping and … well, have your hair done.” She thought of adding that Hope would come over in the evenings, but she couldn’t be sure if this was true.
“You could go shopping at Camden Lock,” said Sarah. “You’re a great walker. It’s a nice walk to St. John’s Wood.”
“It’s a nice walk along the beach to Franaton Burrows,” said Ursula. “It’s very good of you, Sarah, but I shall be quite all right here. I think I should be alone. I should get used to it.” She didn’t say she had been alone in all important respects for three decades. Having someone else in the house, a large, clever, overbearing yet indifferent presence, mitigates loneliness not at all. But she didn’t say it, because she had never said such things to her daughters or, indeed, to anyone. “In any case,” she said, “Pauline is going to come and stay with me for a few days.”
Although she cast up her eyes, Sarah made no adverse comment on this solution to what she saw as Ursula’s problem. She and her mother were so unaccustomed to telling each other what they really felt, so habituated to the utterance of platitudes or casual remarks, that she didn’t now say, “Rather you than me.” Or “Why are you doing penance?” She said only, “I suppose she’ll be company for you.”
Pauline was company. She was more company than Gerald had been, because it didn’t really matter much what you said to her, or if you said anything at all half the time. She was thirty-eight and had often come to stay when the girls were little. She was just sufficiently older to enjoy looking after them. And like all young girls who came to the house, the house in Hampstead and later this one, she had thought Gerald Candless the nicest, kindest, loveliest grown-up she had ever known. When she was fourteen, she had been in love with him. Then there had been that trouble. No one knew exactly what kind of trouble except Pauline and Gerald, but whatever it was, he had gotten over it and she had, and when she got married at the age of twenty-one, she asked him to give her away, her own father being dead by then.
Pauline’s children were now adolescents and could be left at home with their father and their grandmother, who would come in to do the cooking. Pauline had worked for her living for just three years before she was married, and never afterward. This gave her a lot in common with Ursula, or she thought it did, for Ursula, too, had not worked, in the sense of being a wage earner, since some months before Gerald married her in Purley in 1963.
“You typed all Uncle Gerald’s manuscripts, though, didn’t you?” Pauline said one lunchtime after she had been at Lundy View House for nearly a week. “He wrote them and you made sense of his terrible handwriting and copied them on that old Olivetti you had.”
“That’s right,” said Ursula. “Like Sonia Tolstoy.”
“Who?” said Pauline.
“Tolstoy’s wife. She made copies of all his books, seven copies of each one, and they were all very long, and she had to do it by hand because typewriters hadn’t been invented. Or they didn’t have one, anyway. So it wasn’t as bad for me as it was for her.”
“But you didn’t get paid for it?” asked Pauline hopefully. If Ursula had been paid, even by her husband, this would partly have excluded her from the sisterhood of unemployed married women. “Uncle Gerald didn’t pay you?”
“He kept me,” said Ursula.
“Well, of course, that goes without saying. Brian keeps me, if you like to put it that way.”
“I didn’t always do it. Hand to Mouth was the last one I did, and that was 1984. After that, he typed them himself.”
“But why did you stop?” said Pauline.
Ursula didn’t answer. She was wondering how many minutes after they got up from the table she could go out for her walk. Twenty, probably. Pauline began to clear the table. She hadn’t yet asked Ursula if Uncle Gerald had left her well-off or comfortably off or just able to manage. She hadn’t asked if Ursula would have to sell the house or take in lodgers or do B and B, though Ursula knew she was dying to know the answers to all these questions. Everyone assumed that Gerald had left everything to Sarah and Hope, and Ursula, though she had gotten over the shock of his death, if shock it had been, hadn’t yet adjusted to his surprising bequests.
“I shall go out for my walk in ten minutes,” she said when they had loaded the dishwasher.
“In this fog?” said Pauline with an artificial shudder.
“It isn’t fog; it’s just sea mist.”
“Oh, I know that’s what you call it. You always did call it sea mist. It was the only thing I didn’t like about coming to stay here, that white sea fog. And Uncle Gerald hated it, didn’t he? I remember he would never go out in it; he used to shut himself up in his study. Why was that?”
“I don’t know,” said Ursula.
“Does it upset you when I talk about him, Auntie Ursula?”
“I think you could drop the ‘Auntie,’ don’t you?” said Ursula, not for the first time.
“I’ll try,” said Pauline, “but it will be very hard to get out of the habit.”
Hardly anyone came down to the beach when the mist rolled in from the sea. The car park emptied, the surfers retreated into their caravans, and the hotel guests went back to the indoor swimming pool. The beach, which was seven miles long and, when the tide was out, a half of a mile wide, was overhung by a white curtain, so that when you were on it, in the sand, the dunes and the sea became invisible. Ursula could see her own feet, and the beach stretching away in front of her and on either side of her for some yards, but she couldn’t see the hummocky wrinkled green dunes to the left of her or the water, to the right of her, creeping silently across the
sand.
The mist would wet her hair and settle on her clothes in fine droplets, but she didn’t mind this. It wasn’t cold. Sometimes she thought she preferred misty days to clear ones, when you could see the headland and the estuary and Westward Ho! and, looming on the clifftop, the hotel and its garden and all those flowers in primary colors. She walked southward halfway between the edge of the dunes and the edge of the incoming tide, sometimes looking up to see a distant dazzlement of sun through the thickness of white gauze, but more often down at the sand.
The sand was sometimes quite flat and packed hard, but on other days, by some strange action of the tide’s passage, it was pulled into wrinkles like the skin that forms on boiled milk. Today, though, it was smooth, a dark ocher color, but streaked here and there in a chevron pattern with a fine glittery black dust. Visitors to Gaunton thought the black streaks, which looked as if a magnet had drawn them into that shape as it might draw iron filings across a sheet of paper, were from tar or some other pollutant, but Ursula knew that this powder was ground-up mussel shells, pulverized by the pounding and the kneading of the sea.
Shells were everywhere on the beach, white scallop shells and ivory-colored limpets, chalky whelks and blue-black mussel shells with a sheen of pearl or a crust of barnacles, razor shells that looked like a cutthroat razor in an agate case. When the girls first came here as small children, they collected shells every day, until they grew tired of it. Ursula found all the dull, dusty, smelly shells in a cupboard years later. She put them in a carrier bag and took them back to the beach, scattering them onto the sand as she walked along. The next day, when she walked the same way, the shells had been washed clean and shining by the sea and those she had restored to the beach were indistinguishable from those that had always been there.
Today, there was no one else on the beach. And the mist remained static, hanging, quite still. The solitude pleased her, the chance to think. No thinking could be done at Lundy View House while Pauline was there, and at night, when she was alone in her room, she took one of the sleeping pills the doctor had insisted she have. She asked herself why she liked the mist so much. Could it be because Gerald had disliked it? The possibility that this was true had to be admitted. She liked it because he didn’t, and in a way, that made it hers, a secret, inviolable possession.
Perhaps, too, she liked it because it obscured so much. Lundy View House, the other houses on the cliff, people, Gerald. It hid everything but the clean flat sand and the pure white or blue-black glittering shells. Now, of course, she no longer needed this obfuscation. Savoring it, she repeated the word to herself. Obfuscation. Once, long ago, she had set herself the daily task of learning long, difficult words to impress and please him. What a fool, she thought, but she thought it calmly and in a measured, considered way.
As she turned back, or rather, wheeled round, to retrace her steps nearer to the incoming sea, she wondered not for the first time why she had reacted as she had to Gerald’s death. At least she would have expected to feel shock. But there had been very little shock, only surprise and, very quickly, relief. No guilt, either. She had read somewhere—ah, what a lot of books and magazines and periodicals and journals and newspapers she had read over the years!—that bereavement brings with it a sad and bitter longing to have the dead back, if only for a few hours, to ask those questions that were always there but were never asked in life. And she thought, Yes, I would like to ask why. Why did you do this to me and take so much away from me? Why did you make me second-best—oh, much further down the scale than that—with my children? Why did you marry me? No, why did you want to marry me? It would have to be a different person, though, whom she brought back to life. The Gerald she knew wouldn’t answer.
That brought Mrs. Eady into her head. She hadn’t thought of Mrs. Eady for years. A big, sad old woman with a daughter in a nunnery and a murdered son, his photograph in a silver frame beside a small green-speckled vase. She could see it still as clearly as she could see the sand and shells. And less than a year later, they had moved away from Hampstead and come here to the clifftop and a house with a view of the Bristol Channel and Lundy Island.
The mist was lifting. Ursula knew the mist on this coast and the way it behaved and she understood from experience that it wouldn’t lift fully all day, but come and go, rise and fall. The white curtain had rolled up a little ways and thinned a little to let in pale, steamy shafts of sunshine. She could see the hotel now, its angry red, the gables too shallow and the roof tiles matching the geraniums that hung all over it in innumerable hanging baskets. The fog curtain disclosed it almost coyly, as if there were an audience on the beach longing for a glimpse of its beauties.
Her own house was briefly revealed. It was her own now. Not held in trust for her to live in, not merely affording her a life interest, but hers. And his future royalties were hers, and, apart from generous legacies to Sarah and Hope, all he possessed. The will had been much more of a shock than his death. She had thought about it on these beach walks of hers and now she believed he had made this will to make up to her for what he had done. He wasn’t showing her that he had loved her after all, but that he was in her debt. He owed her for taking her life and misusing it.
On the clifftop, Pauline had come out into the garden and was standing by the gate, waving. Ursula waved back, but less enthusiastically. Later on, she thought, she would do something seemingly out of character and take her niece to the hotel bar for a drink.
The mist descended again quite suddenly, as she had known it would, and hid the figure of Pauline, still waving.
3
A man believes everything he reads in the newspaper until he finds an item about himself that is a web of lies. This makes him doubt, but not for long, and he soons reverts to his old faith in the printed word.
—THE CENTRE OF ATTRACTION
THREE NEWSPAPERS WERE DELIVERED TO LUNDY VIEW HOUSE every morning. Ursula had kept the paperboy on for Pauline to have something to read at breakfast, but once her niece was gone, she intended to cancel the delivery. It was something to look forward to, not seeing newspapers. She liked to look at the view of the beach while she was eating her grapefruit and her toast.
The sea was calm this morning and a deep clear blue, not streaked with emerald as it sometimes was, and the sky was a pale, luminous, unclouded blue. The tide was out, was still going out, and where the sand was still wet, a boy of about twelve was building an elaborate sand castle with a keep and turrets and a moat. A man with his two small children was trying to fly a large red-and-white kite, but there wasn’t enough wind to lift it off the beach. He reminded her of Gerald, who had also flown kites, who had built innumerable sand castles.
“Have you noticed,” said Pauline, looking up from the paper, “that no one ever points out a simple truth about unemployment. The fact is that half the unemployment is due to women working. If women didn’t work, men wouldn’t be out of work, but no one ever dares say this.”
“It wouldn’t be politically correct,” said Ursula.
“Did you ever want to have a job? Apart from working for Uncle Gerald, of course.”
“I once thought of taking on some baby-sitting at the hotel. They always want child-sitters.”
Pauline looked at her to see if she was serious. Ursula’s face was quite blank.
“But you didn’t?”
“Gerald didn’t care for the idea.”
“I’m not surprised. The wife of a famous writer looking after other people’s kids for a couple of pounds an hour!”
“It was three pounds,” said Ursula. “If you’ve finished, I’ll clear the table, because I like to do that before Daphne comes. No, sit there. I’ll do it. Read your paper.”
When she came back into the room to fetch the coffeepot, Pauline said, “There’s a letter in here about Uncle Gerald. Would you like to see it?”
“Not particularly.” Ursula had already suffered from her niece’s propensity for reading aloud, so she sighed a little before
saying, “You read it to me.”
“It’s rather peculiar, quite a mystery. It says: ‘From the editor of Modern Philately.’ ”
“The Times always does that.”
“Peculiar. Well, here goes. Listen. ‘Sir, I refer to your obituary of Gerald Candless, the novelist (Obituaries, July 10). The writer states that the late Mr. Candless was employed as a journalist on the Walthamstow Herald in the postwar years. I was chief subeditor of that newspaper from 1946 until 1953 and can assure you that if that humble organ had been so fortunate as to number a graduate of Trinity and future world-famous novelist among its staff, this is not a distinction I would have forgotten. I am afraid you are in error when you name Gerald Candless as a Walthamstow Herald “alumnus.” I am, sir, your obedient servant, James Droridge.’ What’s an alumnus?”
“Someone who is a former student at a university.”
“Oh. Why did they say Uncle Gerald worked for that newspaper if he didn’t?”
“I don’t know, Pauline. It’s just a mistake.”
A burst of song from the kitchen heralded Daphne Batty’s arrival. Ursula carried out the coffeepot to the strains of Merle Haggard’s “Today I Started Loving You Again.” Daphne had brought the Daily Mail with her, and while anxious for Ursula to read Mary Gunthorpe’s interview with Hope, she had no aspirations to read it to her. It was titled “Oh, My Beloved Father! The Loss of Hope.”
Ursula thought she might as well bow to the inevitable now. She remembered how Gerald had sometimes resolved not to read the reviews of his books in newspapers, but they had been impossible to avoid. Sooner or later, someone would ring up and tell him what was in them, or send them to him with passages underlined in red, or quote from them in letters. Daphne would leave the paper behind and Pauline would find it, and then she would be in for a worse ordeal. She began to read, with Daphne looking over her shoulder.
He was a tall, burly man with big features and a wide, ironic smile. She is slender and rose petal–skinned, her dark hair long and softly waved, her eyes almost too large for that heart-shaped face. Yet Hope Candless is the spitting image of her father, the celebrated novelist who died two weeks ago. There is the same intelligence in those same brown eyes, the same penetrating glance, and the same musical voice.